+ inload: Painting Inquisitrix Barbari Kills +

+ Inquisitrix Barbari Kills +

 There's subtlety in the application of the Emperor's will – just as there's good hard work in interpreting it. 

'Righteousness, willpower, divine grace... You'll hear them all used as justifications for why you should do as an Inquisitor says; but right now, the fact I've got an n-point discharge derringer pressed to your forehead is all I need.'

+++

+ Well, all painted up and ready to wage a one-woman war on the Endworlds – I'm pleased with how Barbari Kills has come out. My notes on building the conversion are here [+noosphericinloadlink embedded+], so I'll concentrate on painting in this inload. +

+ The first thing you'll notice is the drab scheme. The plan was for the poncho to be a muted brown leather, with a bright inner lining – the idea being that this anonymous-looking figure suddenly threw back her cloak to reveal a big gun and bright colours. In the end, I think I got a bit carried away with the detailing and washes on the lining, so it's more muted than I had intended. +

+ The heraldic ermine pattern has got a bit lost, and has ended up looking a bit blurry... but them's the breaks when you experiment. I'm still pleased with the result, which has plenty of impact and contrast, if not precisely how I'd planned it! +




+ The face came out well, I felt. I've experimented with a lot of different skintones in the Gatebreaker project, but with the marines I'm guaranteed a contrasting tone near the face owing to the quartered bright yellow and dark green scheme. Not so here, so I had to work carefully to make sure her dark skin didn't get lost against the fabric. Note the embroidered details on her collar (touches of freehand help to identify something as non-skin), and the use of the brighter inner lining of the cloak near the collar, too. +


+ A few flashes of colour are dotted around the figure to make things slightly less realistic and more obviously sci-fi: the orange band on the gun; the gold Inquisition symbol on her loincloth; the red rubricising (see what I did there?) and bookmark ribbon on the book; and – of course – her blue hair. +

+ Typically, eye-catching 'hot spots' are bright, warm colours; but as long as they contrast with the overall scheme, they can be any colour. The scheme here as a whole is a warm sepia-yellow tint; almost nicotine-stained. Blue (or green, or pink) would all work to contrast. +

+ The image above shows the skin best, too. Subtle spot-glazes of red applied to the lower lip and cheeks are all that are needed to give a healthy complexion. Kills doesn't strike me as a striking make-up sort of girl. +


+ Another little flash of red; the Inquisitorial sigil of the Ordo Propter. Again, hidden beneath the cloak until the dramatic reveal. Note the profusion of pouches and webbing; I wanted Barbari Kills to look prepared for anything. This shot shows the ermine decoration on the cloak a little better, too. +


+ The basing is similar to most I do; a warm brown highlighted up with cream, then dotted with a mix of flock tufts and scatter foliage. +


+ ... and here she is pictured alongside Castaway, Coriolanus and Septival. She's starting to build up a little entourage. I must return to Haim and Brunski soon. +

1 comment:

  1. Really cool paintjob! She's a powerful character, I love what you did here!

    ReplyDelete

+ submission exloadform: inload [comments] herein +