+ inload: White tutorial: Painting the Silver Stars

+ Painting Silver Stars + 

+ Some things may be best forgotten, but how you paint a uniform isn't one of them. I thought I'd exload my approach to painting the cool white I'm using for this mysterious possible-Legion of Space Marines. +

+ Silver Stars Astartes: painting white +

+ Whether the Silver Stars are a Legion of marines or not, they seem to favour Mark II Crusade Armour. The bodies and legs are from Txarli Factory [+noospheric exloadlink embedded+]; the remainder of the figures from a variety of GW and FW kits. As always, this proves the benefit of a deep bits box: I bought the Crusade Armour bits used here years ago, intending to use them for my Praetors of Calth Ultramarines. One side project after another, I decided that it was a shame they sat languishing, so I dug them out, and was pleasantly surprised to find I had a decent little pile of them – some twenty in all. +

+ Painting Silver Stars +

_1 Assemble your marine as normal. The bases I've used here are from Unreal Wargaming [+noosphericexloadlink embedded+].

_2 Prime using Halford's Grey Primer.

_3 Paint the base colours. I block in the metals with black (though note I've used Dryad Bark for the gorget, which will be gold. You can use them fairly interchangeably, but I think I'll proceed with brown for gold, and black for silver). I've used Sotek Green for the blue-turquoise, which seems to be nigh-identical to the old Hawk Turquoise.

4_I've used 'Mummy Robes' from The Army Painter's Warpaints range [+noosphericinloadlink embedded+], a lovely smooth warm white. This takes two layers to get a smooth surface. Once dry, I overlay it with Apothecary White, one of Citadel's new Contrast range of paints. This is a lovely quick way to get some initial shading it – and perhaps more importantly, to help you identify where to pick out later.

5_ From here, it's essentially refining. This is a bit of a jump from the previous stage, I confess! Here, I've gone back over the white with more Mummy Robes, adding Vallejo's Off-White for highlights. I've also used Daler-Rowney's Payne's Grey acrylic ink, diluted with flow improver, to line the stronger shadows. I've used the same combination of colours to add weathering and scratches to the white armour – I suggest you do this sparingly, and don't make them so high contrast as you would on darker hues: white paint is obviously very high in value, and so marks look much more striking and obvious than on a low value hue.

The blue-turquoise highlights are simply Sotek Green with increasing amounts of Off-White. The gold is Balthasar Gold followed by Shining Gold, washed with two layers of Seraphim Sepia, with touches of Leviathan Purple added wet-in-wet. The two washes are also used over Iron Warriors (the modern Boltgun Metal equivalent) for the silver areas like the boltgun and backpack.

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